Dr Ruth Slatter has
been a Lecturer in Human Geography at the University of Hull since January
2018. Ruth is interested in how individuals experienced institutional spaces
during the nineteenth- and early twentieth-century. Here she talks about her
recent trip to Chicago’s Newberry Library and her research into
nineteenth-century international exhibitions.
Historical geographers, historians and design historians
have long been interested in international exhibitions. These discussions often
beginning in 1851, the year Queen Victoria and her husband Prince Albert
triumphantly opened the Great Exhibition in London. Famous for its glass,
greenhouse-like temporary building, which became known as the Crystal Palace, the
exhibition displayed industrial, designed and natural products from across the
world. During the rest of the nineteenth- and early twentieth-centuries this
exhibition set a precedent which was replicated across Europe, America and
Australia.
© Victoria and Albert Museum
Bringing together representatives from each of the
represented nations, these exhibitions were – what we would now refer to as – megaevents
and played an important role within the colonial politics of the
nineteenth-century western world. Like today’s Olympic Games, World Cups, or
Cities of Culture designations, these events were an opportunity for cities to
be shown off to an international audience; for countries to demonstrate their
wealth, cultural capital and political influence; and for competing nations and
empires to gain an international reputation for innovative design, beautiful
craft, or even rich natural resources.
Sèvres porcelain,
displayed at the 1862 International Exhibition as part of the French display
© Victoria and Albert
Museum
Sir George Gilbert Scott, The
Hereford Screen, displayed at the 1862 International Exhibition
© Victoria and Albert
Museum
However, these exhibitions also created the opportunity for
all members of western societies – from Lords and Ladies to pit men and match
stick girls – to see the world in their back yard. Therefore, my research into
these events combines traditional discussions about their political purposes,
with consideration of how visitors experienced them. My research has largely
focused on London’s 1862 International Exhibition – the rather poor and under considered
relative of the earlier 1851 Great Exhibition. Working with Helen Creswell,
curator and design writer, I have been exploring peoples’ sensory experiences
of these events, asking questions about the extent to which visitors engaged
with their underlying political purposes and considering them as part of the
urban spaces in which they were located.
Edmund Walker, Exterior of the International Exhibition of
1862
©
Victoria and Albert Museum
In November 2018 I was invited to speak at the Newberry
Library in Chicago about this research. They had organised an exhibition about
the 1893 Chicago World’s Fair (the American term for an International
Exhibition) using their extensive collection of related material and organised
a set of related public events.
In this talk I explored a number of different ways in which
we can discuss visitors’ experiences of these events. Considering the designs,
the ground plans and the guidebooks made for these events, I spoke about the
scale of these buildings, how they were confusing to navigate and therefore
left visitors feeling exhausted and bemused. Engaging with commentaries written
about these events in contemporary newspapers and magazines, I reflected on the
many sounds that would have been heard in these spaces: the clatter of working
machines, the tinkle of piano keeps, the chime of porcelain cups in the tea
room. With reference to images of these spaces published at the time, I
emphasised the importance of thinking about what visitors’ touched while in
these spaces, how their bodies were often pressed together during busy periods
and how they would also have brushed up against exhibits in often cluttered
exhibition spaces. And, positioning these exhibitions within their urban
contexts, I discussed how visitors’ experiences of these spaces were not only
informed by what they saw, heart or felt in these spaces, but also their
experiences of the (generally crowded) public transport and roads they used to arrive
and depart from these events, the hotels and hostels they stayed in, and the
character of the city in which these exhibitions were located.
My whole public talk is available here: https://soundcloud.com/newberrylibrary/eye-of-the-beholder-visitor-experience-at-19th-century-world-fairs
And you can also listen to a podcast I recorded for the
Newberry Library, going into a bit more detail about the 1862 International
Exhibition in particular here: https://soundcloud.com/newberrylibrary/the-1862-intl-exhibition-revisited